We all know how Disney’s Cinderella ends. The Grand Duke visits every house in the kingdom looking for the girl the lost glass slipper fits. Cinderella is locked in the tower to prevent her from trying on the glass slipper1. Cinderella escapes the locked tower. Wicked Step Mother breaks the glass slipper to prevent her from trying on the glass slipper. Cinderella produces the other glass slipper. Slipper fits. Cinderella marries the prince.
Cinderella never actually tries on the glass slipper. She tries on a glass slipper, but she does not try on the glass slipper that was left at the ball. Continue reading “Cinde-Really 5: If the slipper fits…”
This fourth post, long-awaited by two people, concludes a two-part post based on my having to watch Disney’s Cinderella roughly 17837 times. After a while, you start noticing the little things, or go mad, or both.
Like a Freudian psycho-analyst asking about mom, screens bring up issues for classical geneticists. Screens are what we do. Conceptually, screens are simple. In fact, they are like your screen door. The goal is start with everything and separate it into two groups – one that passes the screen and one excluded by the screen – based on a particular characteristic. Your screen door tries to do this based on size, letting in the breeze, but keeping out the flies, if everything is working well.
With screens, be they in the genetics laboratory or your back door, the devil is in the details. We need to worry about how well the screen works. If our screen door has holes in it or we are opening the door a lot, bugs are going to get in. If the screen is dirty, it might not let as much of the breeze through as we would like. We need to worry about whether we are actually screening for the characteristic we care about. Screen doors separate bugs from breeze based on size. They do not detect “bug” and zap it with a laser, because one house could not contain that much awesome.
I’m concerned that the King, Grand Duke, and Prince did not think through the details of their attempt to screen their female subjects for Cinderella – i.e., The Great Slipper Screen. Continue reading “Cinde-really 4: The Great Slipper Screen”
Traditionally, fairy tales are short, fitting neatly into the brief time twixt bath and bed, where they induce nightmares about witches who eat children. In order to achieve this, fairy tales often dispense with time consuming things like character development, complex plot twists, and, you know, having things make sense. We do not need to know why the Evil Queen in Snow White is obsessed with being the “fairest of them all” (childhood beauty pageants?), we simply need to know that she is evil.
When one decides, however, to use a much beloved fairy tale to generate a cash cow, feature length film (BIPITI-BOPITI-BOO!) without having to bother with developing your own plot, one has an obligation to fill a few of those extra minutes with some depth of character.
After all, compelling villains are plausible villains. Good villains (er?) have a reason for villainy. They do not just enjoy being evil for the sake of being evil.
Which makes me wonder, why did the Wicked Stepmother choose to imprison Cinderella during The Great Slipper Test? Continue reading “Wickedly Rational or Spiteful (Cinde-really? Part 3)”
The Frogger loves Disney‘s Cinderella, mainly because she thinks Cinderella’s ball gown in pretty, likes dancing, and loves all the cute animals[1,2]. As a result, I have had many opportunities over the past few months to observe this film in great detail, repeatedly. These posts resulted from subjecting the normally active mind, thirsting for stimulation, to triplicate viewings whilst traversing the wintry wastelands of the Midwest, with the second of two presented here, wherein I shall examine why the Cinderella story, rather than being uplifting, depresses me. Continue reading “Cinde-really? Part the Second”
The Frogger loves Disney‘s Cinderella, mainly because she thinks Cinderella’s ball gown in pretty, likes dancing, and loves all the cute animals[1,2]. As a result, I have had many opportunities over the past few months to observe this film in great detail, repeatedly. These posts resulted from subjecting the normally active mind, thirsting for stimulation, to triplicate viewings whilst traversing the wintry wastelands of the Midwest, with the first of two presented here, wherein I shall examine what we can infer about the kingdom in Cinderella is set and why you might not want to live in that land of Fairy Tales. Continue reading “Cinde-really? Part 1”