Infographics are the new black. Usually, they simply represent an aesthetically compelling way to present data in order to convince you of the infographers point. Occasionally, this artistic presentation of data represents a thoughtful way to view data in order to address a particular question. Eric Fischer‘s Locals and Tourists images are just such an approach.
Eric starts with a question:
Some people interpreted the Geotaggers’ World Atlas maps to be maps of tourism. This set is an attempt to figure out if that is really true.
Oh, Playboy, why do you want your “readers” to lust after androids? That’s the only explanation we can think of for the proportions of your lovely ladybots.
If Hef is secretly invested in Battlestar Galactica, then the argument that Playboy has been gradually programming American males to “lust after androids” for the past fifty years makes sense.
The argument that Playboy drives the public perception of the ideal female form, as opposed to responding to the preferences of their readers (you won’t get any judgemental scare quotes from me) may just be a reflection of Gammon’s socioeconomic philosophy or writing style. It also does not involve fun graphs. Dealing with the specific claim of the article, that Playmates represent progressively more extreme and less healthy body shapes, does.
What does our obsession with End of the World scenarios say about our relationship with science?
As I wrote about here, I’ve embarked on a post-apocalyptic reading project, to survey 60 years of post-Hiroshima End of the World science fiction, essentially the road to The Road.
Science is a mediator between humans and nature. This mediating role rests on the ability science gives us to predict, control and manipulate nature. Even science done out of pure curiosity is based on control: in order to obtain scientific knowledge, we manipulate nature by doing experiments. The prime test of our scientific theories is how predictive they are, how well they enable us to manipulate nature with predictable results. From a scientific perspective, it is impossible to understand nature without controlling it. Post-apocalyptic science fiction describes situations in which our ability to predict and control fails catastrophically. Nature escapes our control, through world-wide plagues, collisions with asteroids, or invasions by alien species; or else we’re done in by our own efforts at control, by nuclear war or human-induced ecological catastrophe. Continue reading “What the End of the World says about science”
I love this map by Haisam Hussein tracking the evolution of four stories (Pygmalion, Leviathan, Faust, and Oedipus) through history and geography.
Not only does this speak about how we reuse and reinterpret the same myths throughout history, but also struck a few personal chords. First, the night before I saw Hussein’s map, my Sky TV Guide described She’s All That as a reimagining of Pygmalion, not My Fair Lady, which stood out in my mind. Second, I had never considered Jaws as a retelling of the Leviathan legend before, but now cannot get over the casting of Roy Schneider in the role of Jehovah (aka, Chief Brody).