If there was ever a day to repeat the same thing you did last year, it would be World Migratory Bird Day. Plus, Michele is very busy working on a “very special thing” that you will be hearing more about soon; and I do not have her way with cats.
Today is World Migratory Bird Day! Kittehs love to watch the birdies. For science, of course!
As for the related subject of bird-assisted coconut migration, it’s a simple question of weight ratios:
This week we’re exploring the ways that science and technology are changing sports, on and off the playing field. We’ll speak to journalist Mark McClusky about his book Faster, Higher, Stronger: How Sports Science Is Creating a New Generation of Superathletes – and What We Can Learn from Them. We’ll also get the scientific perspective on sports supplements with Dr. Bryan Chung, founder of Evidence Based Fitness.
*Josh provides research & social media help to Science for the People and is, therefore, completely biased.
We liked #SciWars so much in 2014 that we did it again in 2015. This time, we actually did it on May 4* (aka, May the Fourth Be With You). Check out the Storify of the tweeted goodness/nerdiness.
*This was not really our fault.
Centuries ago, when an artist wanted to depict an animal he hadn’t seen before, he had to rely on descriptions or travelers’ sketches. This led to the creation of many inaccurate images, perhaps the most famous of which is Dürer’s rhinoceros.
We’ve come a long way since the 16th century. But have the enormous advances in the capture and dissemination of images really brought us closer to the visual reality of animals in the wild? Shawn Smith’s exhibition Pixels, Predators and Prey at the Artisphere in Arlington, Virginia, explores this question to intriguing effect.
Smith’s show “examines the evolutionary collision between nature and the digital world through the creation of a pixelated natural world.”
Growing up in large cities, Smith’s interactions with nature were limited to the pixelated representations he viewed on television and on his computer screen. These images would later serve as inspiration for Pixels, Predators and Prey.
Smith examines how we experience nature through the lens of technology by creating three-dimensional sculptures of two-dimensional images sourced from the internet. Each nature sculpture in Pixels, Predators and Prey is built pixel-by-pixel with hand-cut, hand-dyed strips of wood in an overtly laborious process that is in direct contrast to the slipperiness and speed of the digital world.
The work in the exhibition draws inspiration from biology and the struggle a single cell must endure to remain alive. In the same way a cell plays a crucial role in the identity of an organism, Smith explores how each pixel plays an important role in the identity of the object. – Artisphere
Smith’s work is beautiful, original and thought-provoking. However many photographs we’ve seen online, can we honestly say we know what a shark or deer truly looks like? Although those large animals, like the Pronking Impala (above) are the most striking, perhaps the most creepily seductive piece in the show is the half-pixelated, half-naturalistically rendered brain and spinal cord, portentously titled Becoming. Are we? And if so, should we be afraid?
Pixels, Predators and Prey is on view at Artisphere’s Terrace Gallery until June 14. You can see more of his work at his website.
Think you know where this is? Here’s a hint: it’s just outside one of the locations we’ve covered on the Have Science, Will Travel series. But which location?
I’ve created a custom GeoGuessr game with five locations that should be familiar. See if you can find them on the map!
The Finch and Pea 