George Long’s Valhalla (1906)
Post-apocalyptic worlds are always haunted. The empty ruins of great cities, the artifacts of lost technologies, the mouldering books, and the memories of the vanished civilization make it clear that the survivors are now living in the world of the dead. In George Long’s Valhalla, the haunting is literal: the world is now one great hall of the dead, with a billion spirits ready to lend their ghostly hands to help the survivors build a better future. While it’s stiffly written and poorly plotted, this short book is nevertheless an interesting artifact from that optimistic time before the First World War. As he describes a new civilization rebuilt under the guidance of the dead from the last one, Long suggests that the root of human dysfunction is simple: jealousy of love and power. Without jealousy, there would be no serious conflict and people will get along just fine.
Like The Purple Cloud, Valhalla is one of those post-apocalyptic books where the world has been almost entirely depopulated, but those who are left don’t really have to struggle for survival. Living in the aftermath of the greatest natural disaster ever, Long’s characters don’t worry about the challenges posed by nature; more threatening are the challenges they pose to each other. The catastrophe itself is a vaguely described series of events that resemble the biblical apocalypse: Continue reading “End of the World 1906: The Haunted Apocalypse”
Why are 17th century poets like John Donne, George Herbert and Andrew Marvell called ‘metaphysical’ poets? You can
The Book of Revelation isn’t the only part of the Bible that inspires post-apocalyptic fiction — Genesis plays a big part too. The Bible’s story about the beginning of the world has become a popular way to think about the world’s end. Adam and Eve, a paradisiacal Eden, and humanity’s fall get transformed into a last couple, a post-apocalyptic haven, and the forbidden fruit of some unexplored territory or lethal knowledge. What could be called the 