Camouflage is No Protection in Fiona Hall’s Hunter’s Den

Pezopourous frontalAustralian artist Fiona Hall has often focused her work on the interaction between humans and their natural environment. For last year’s Documenta 13 show in Germany, she turned her attention to some of the victims of the ongoing struggle between man and land: endangered animals.

Hall created a “21st century hunter’s den” filled with mounted specimens – sculptures of animals on the IUCN Red List of threatened or endangered species. She made much of their “feathers” and “fur” from military camouflage uniforms from the animals’ home territories. This is an ambiguous choice – it suggests both the negative effects of military action on animal habitats as well as the natural camouflage that animals use to protect themselves. Some of her “taxidermied” creatures look disconcertingly chipper, too – like this Australian Night Parrot (Pezoporus occidentalis / night parrot, 2009-2011). But her overall intent is highly serious: to remind us that one tragic and irreversible aspect of human conflict is animal extinction.  Ultimately, camouflage may not protect any of us.

The Art of Science: Consider the Cuttlefish

newmanpendant

Joining land and sea, mollusk and mineral, cuttlefish bone casting is a method of metalworking that produces one-of-a-kind pieces. Cuttlefish are cephalopods with a unique internal structure called a cuttlebone, which is light, porous and easy to carve. Smiths have been using them as molds for casting small objects, usually in silver, for hundreds of years. (Here’s a brief overview of the technique)

One of the coolest things about cuttlefish bone casting is that the molten metal takes on organically-shaped ridges from the structure of the cuttlebone. Many artists use these as a design element, evoking their origins in the sea. Each mold can only be used once, so each cast object is unique. Australian artist Katrina Newman uses the technique to create pieces that fuse ancient and modern, craggy and sleek, as in this striking pendant called Post by the Sea.

You can see more of Newman’s work at her etsy shop and her website.

People of ScienceOnline, Tell Me What You Want

I mentioned a few months ago that I would be attending the wonderful ScienceOnline conference that kicks off on January 30th in North Carolina. It’s only two weeks away, woo-hoo!

So now would be a great time for my fellow attendees to take a look at my work and tell me if there’s anything you would like me to bring along so you can see it “IRL”. I will have all the various designs of silk scarves with me, plus a few one-offs. If there’s a particular painting or collage in my shop that you would like to buy, please let me know in advance – I can knock off the shipping cost and hand-deliver (don’t forget to use code TWEEPS for 10% off). Otherwise, if you have a few you would just like to look at, send me a message via etsy, email or twitter, and I will make sure to bring them. Continue reading “People of ScienceOnline, Tell Me What You Want”

Science Caturday: Moar Speriments in Grabity

grabity

Nice of those doggies to help with the science.

via Cheezburger.com

The Art of Science: Encaustic Geology

Laura Moriarty, Vista, 2012, encaustic and monoprint
Laura Moriarty, Vista, 2012, encaustic and monoprint

Artist Laura Moriarty says that the goal of her work is to “contemplate and compare human and geologic time.” Working mainly in encaustic, a mixture of wax and pigments, she creates many-layered sculptures that beautifully evoke geological strata, the earth’s archive of its past. Moriarty also makes monoprints from the sculptures themselves, reminiscent of the illustrations geologists make to express their work in 2D form. In 2011, she created a book, Table of Contents, that presented her artwork in the format of a geology textbook. “Art-rock” fans should add this one to the syllabus.

More at Laura Moriarty’s website.