With a candle in my hand and squeezed onto a picnic blanket full of friends, I’ll soon be spending another August weekend at the Edmonton Folk Festival. Tickets sold out in an hour on Friday morning, and I’m pretty pleased to have a pair. One of the acts I’m most looking forward to this year is Bahamas, the stage name of Toronto guitarist and singer Afie Jurvanen. Once a regular supporting player for Feist, his second solo album Barchords was released in February, much anticipated after his Polaris Prize nominated debut.
As Bahamas, he has created fascinating mix of breezy light songs that pulse with an undercurrent of melancholy. They seem almost forgettable at first and then grab hold of something and don’t let go. Part of the appeal is his rich soft voice. There’s also his attention to detail in how every plucked string sounds, often using vintage guitars from the 50s and 60s to get just the right tone. This week’s song, though, is even more clever than that. Continue reading “Bahamas’s Caught Me Thinking and the Shepard Tone”