The Science of Monsters

The edges of old maps, the gateways to parts unknown, are often said1 to have carried the words “Here Be Dragons”. At the dawn of the Scientific Revolution, there was plenty of room for those dragons to roam. Each human culture around the globe was surrounded by a fog of geographic and metaphysical unknowns. Since that time, science has destroyed the habitat of those dragons in a steadily process 2.

The central question of Matt Kaplan’s book, The Science of Monsters, is really focused, not on the monsters, but on us. Why did we populate that fog of unknowns with fabulous creatures that evoked fear and awe? Do we still tell similar stories after the fog has been lifted? If we do, how have the stories changed to reflect our new reality? The Science of Monsters is ultimately about our favorite monster – us. Continue reading “The Science of Monsters”

In Partial Defense of the Prequels

The Star Wars prequels (Episodes I-III1) are not good films2. The debate is about which one is the worst film (the correct answer is Star Wars II: Attack of the Clones despite the Yoda lightsaber scene3). The prequels are, however, very useful in the overarching mythological narrative of the Star Wars universe4. I have come to think of them as integral to the story, but, like a terrible production of Hamlet, almost unwatchable (unlike the new Star Wars VII trailer).

Following the digital release of the first six Star Wars films, my kids have been preparing for the release of Star Wars VII: The Force Awakens by watching the prequels. In the minds of my kids, Anakin Skywalker’s character is second in importance only to Ahsoka Tano. This makes Anakin’s transition from hero to villain – from good to evil – extremely dramatic to them.

It also means that Daddy has had been required to repeatedly explain the narrative arc of Darth Vader. A complete explanation of Vader’s narrative arc requires the prequels to be understood, which is why I am cautiously glad the prequels exist. What follows is the explanation of Anakin/Vader that I give my kids (WARNING: May contain pop-psychology). Continue reading “In Partial Defense of the Prequels”

Mammoth ain’t Mopey

I am very pleased to announce that the Mammoth is Mopey project of Jennie & David Orr passed its $104 funding goal on IndieGoGo last night. Personally, this means my kids will be getting a copy of this beautiful and inspiring book, one of our local libraries will be getting a copy of this beautiful and inspiring book, and that I will also be able to show my love for ankylosaurs on my messenger bag with a cool “Paleontology Fancier*” button.

Mammoth is Mopey by Jennie & David Orr (All Rights Reserved; Adapted with Permission)

It also means that you have one week left to pledge your support in the confidence that any pledge is actually a pre-order. You can get a print copy for only $15. My fellow parents know that $15 is actually a pretty good deal for an illustrated book that about which you are enthusiastic – and, if you are not enthusiastic about reading, art, and prehistoric animals, I really don’t know what you are doing here.

You can still take the “Which Mammoth is Mopey Character are You” quiz too. I got the artistic ankylosaur, which I think confirms the accuracy of the quiz beyond any shadow of doubt.

Ankylosaur is Artistic by Jennie & David Orr (All Rights Reserved; Used with Permission)

*More like fanciest – am I right?

Science for the People: Severed

sftpThis week Science for the People is looking at our scientific curiosity – and morbid fascination – about the human body and its amazing anatomy. We’ll speak to anthropologist and author Frances Larson about her book Severed: A History of Heads Lost and Heads Found. We’ll also discuss the experience of learning anatomy through human dissection, with Laboratory Supervisor Haley Linklater, and masters student Noah Mintz, from the Department of Anatomy and Cell Biology at Western University.

*Josh provides research & social media help to Science for the People and is, therefore, completely biased.

Trollslayers

On 10 April, the US Patent and Trademark Office (USPTO) invalidated key aspects of patent-troll Personal Audio’s “podcasting patent” following a petition for review spearheaded by the Electronic Frontier Foundation with assistance from the Cyberlaw Clinic at Harvard’s Berkman Center for Internet & Society and other pro bono attorneys. Personal Audio had been using the patent to threaten podcasters with lawsuits unless a settlement was paid out.

ORDERED that Petitioner has shown by a preponderance of the evidence that claims 31–35 of U.S. Patent No. 8,112,504 B2 are unpatentable…

A key aspect of the successful petition was the evidence of “prior art” – podcasts or podcast-like productions that pre-dated the patent – which were researched in part through crowdsourcing.

The U.S. Patent and Trademark Office (USPTO) invalidated key claims in the so-called “podcasting patent” today after a petition for review from the Electronic Frontier Foundation (EFF)—a decision that significantly curtails the ability of a patent troll to threaten podcasters big and small…In petitions filed with Patent Office, EFF showed that Personal Audio did not invent anything new before it filed its patent application, and, in fact, other people were podcasting for years previously.
Electronic Frontier Foundation