This week Science for The People learns about some of the many invisible particles that surround us. They speak to astrophysicist Ray Jayawardhana about his book “Neutrino Hunters: The Thrilling Chase for a Ghostly Particle to Unlock the Secrets of the Universe.” And they talk to ecology professor Donald Canfield about his book “Oxygen: A Four Billion Year History.”
We have a hopeful sounding update on the takedown of astronaut Chris Hadfield’s video cover of David Bowie’s “Space Oddity” from the International Space Station. According to Ars Technica, it was Hadfield himself who took down the video in order to comply with his original agreement with David Bowie. For those paying close attention (eg, not me), Hadfield gave us a little advanced warning that this was going to happen:
Hadfield and Bowie’s camps are reported to be working on a new licensing deal that should see “Space Oddity” from orbit return to the Web at some unspecified future date. Don’t hold your breath, though. Getting the details of the first, one-year license hammered out apparently took several months – probably due to the variety of individuals and government organizations involved.
If I were David Bowie*, I would be grumpy with my representatives for not getting a new deal done before the old one expired. In the one line of an otherwise very wise discussion of the copyright issues surrounding Hadfield’s “Space Oddity” cover (endorsed by Hadfield) that misses the point, Meera Nair says:
Yet the fact that something that people liked to watch was disappearing from YouTube prompted a bewildering public outcry.
The outcry might have been unreasonable, but there was nothing bewildering about it to regular viewers of the Internet.
The original one-year license made sense at the time. In retrospect, the video seems like the most likely candidate to go viral ever. At the time, who knew it would matter so much when the license expired?
Hadfield’s cover of “Space Oddity” was tremendously good press for Bowie and introduced the song to generations that were not necessarily familiar with his oeuvre. While not necessarily fair, it was obvious that the removal of Hadfield’s cover from the public spaces on YouTube would make Bowie look like a monster. In many ways, this is less a copyright FAIL than a public relations FAIL.
*I suspect that, were I David Bowie, that this issue has not been at the top of my priority list.
The US government just announced that the CIA will no longer use fake vaccination programs as a cover for operations. At a time when anti-vaccination movements have swept the globe, despite the positive effects of vaccinations in limiting previously devastating infectious disease, the US government was actively undermining life-saving, humanitarian programs by using them as cover.
Among the reasons people decline vaccinations is the idea that uniform public health projects must be a nefarious government conspiracy. The fact that the conspiracy theorists are not entirely wrong certainly does not help the fight against infectious diseases.
This is a step in the right direction relative to the previous steps in a horribly misguided direction; but, to my fellow US citizens, the view that our country is a force for good in the world is not an evidence-based position.
UPDATE: The video was taken down voluntarily by Hadfield in keeping with his original agreement with Bowie and without pressure from Bowie. That does not mean this is how things should have happened.
Almost one year ago today, I posted about astronaut Chris Hadfield’s cover of David Bowie’s “Space Oddity” from the International Space Station. I hope you took the time to check it out then, because you can’t anymore.
According to the Ottawa Citizen, David Bowie had given Hadfield a one-year license to cover Space Oddity. Last Wednesday, the license expired and the video was taken down.
While Bowie has the right to license his song as he sees fit under the law, it is difficult to see how this helps anyone, including Bowie, aka The Goblin King. It is very easy to see how this hurts the effort to inspire people with science and art.
At the time, I wrote that Hadfield’s cover represented the “best of humanity”. If that was true then, what does this – the use of copyright pedantry not to prevent theft of ideas, but to squash creativity and inspiration – represent?
But, let us reflect the best of humanity and be charitable. Maybe Bowie just forgot to renew the license. I do that all the time – forget things, not licenses, no one wants to license my crap.
*Hat tip to Cory Doctorow at BoingBoing.
This week, Science for The People looks at the power of stories and innuendo to shape the public perception of science. They speak to author Jon Lee about his book An Epidemic of Rumors: How Stories Shape Our Perceptions of Disease. And they’re joined by Dr. Paul A. Offit, Chief of the Division of Infectious Diseases and the Director of the Vaccine Education Center at the Children’s Hospital of Philadelphia, to get the scientific perspective of the safety and effectiveness of vaccinations.
The Finch and Pea 