In honor of World Book Day, here are a few books that we’ve reviewed and found interesting in the past year:
notice board
Mike wrote about gene patents for Pacific Standard.
Michele has a guest post at Scientific American's Symbiartic blog.
song of the week
Have Science Will Travel
@finchandpea
- Creative Constraint - mashup of @SantaFeSciWrite @MarcMaron @simonsam & @TheSimpsons wp.me/pXK0q-2zG by @JoshWitten 10 hours ago
Josh Witten
- @CatherineQ it sounds like you have been punished for your sins already 6 hours ago
Mike White
- Does the term 'dark matter' applied to genomics reflect physics envy or penis envy? @dangraur says it's both judgestarling.tumblr.com/post/508269806… 18 hours ago
Marie-Claire Shanahan
- Um or maybe the name of the roman pound? RT @neiltyson: symbol "lb" for pound comes from an abbreviation of constellation Libra, the scales. 3 days ago
Michele Banks
- Oh man, little kids dying at school is the saddest. 11 hours ago
Sarah Naylor
- RT @FASEBopa: Thanks everyone who retweeted our latest #NIH funding trends slides & analysis. bit.ly/19FDFKe 3 days ago
Heidi Smith
- RT @BreakingBio: In Ep. 30, @thescienceofant returns to ask *us* questions for #scifund. Come get a peek behind the podcast curtain! http:/… 11 hours ago
Eva Amsen
- RT @upulie: We're 130 followers off 3000 on @realscientists! Yay and go follow! [and I will stop harping on about it] 8 hours ago
The purpose of the
Arthur C. Clarke didn’t write write typical post-apocalyptic stories, but he sure liked to write about dying worlds, long-abandoned constructions, last cities, the end of humanity, and vast, empty spaces. In his stories, humans who face extinction, or who live as the last holdouts on a barren Earth, are not doomed. Instead, they’re about to have their consciousness expanded as they become tied into a grand galactic narrative. But unlike other galactic narratives like Asimov’s Foundation trilogy, which treat the galaxy or universe as a gigantic platform on which to re-stage Edward Gibbon, Clarke keeps his universe unfailingly mysterious. Pursuing that mystery is humanity’s noblest aim – it is an essentially religious imperative that becomes a means of transcendence.
Within science fiction, there is a great tradition of the oddball post-apocalyptic novel, pioneered by Philip Dick in Dr. Bloodmoney (1965) and Deus Irae (with Roger Zelazny, 1976). It is a tradition still thriving today in books like Jonathan Lethem’s Amnesia Moon (1995) and Ryna Boudinot’s Blueprints of the Afterlife (2012), and it includes Denis Johnson’s lyrical Fiskadoro. The oddball post-apocalyptic novel is not concerned with the gritty realities of survival; instead, it takes place in a less lethal and much more hallucinatory setting that is populated with various hucksters, grotesques, dreamers, and generally confused people who are trying to figure out just what the hell is going on.


